Miguel Arribas Alamo was born in Segovia in 1981. From childhood he was immersed in a society of images and concepts. Such was his curiosity in the digital art that self-learning was long based on hours and hours on the computer. Learned to analyze, criticize and suggest new ideas and trends.

Tough, cheerful and with good humor, used to live in the world from a player standpoint, became incredulous and skeptical of his surroundings, and methods of verification were rather practical. His desire to excel led him to evolve to the same extent that the technology that is growing.

Given the various tests that the design was proposing, he acted with great effort and interest to find ways to address them successfully, which led him to meet a variety of software and different printing machines for a variety of media.

Became deeply involved in the development of brochures and posters for companies with which they worked. Their critical and perfectionist earned him a reputation as a freak by the quality of their designs, which he replied "if I can not require me to myself, I can be able to demand one."

Theoretical and practical knowledge acquired in the world of images, thanks to a career in advertising, design modules, audiovisual courses and many hours of self-learning practices.

Performed its role as professor of design for Social Work Caja Segovia and taught IT for rural environments. Gained further experience working for 3 years of his life in retouching and montage of photos and video to photo shops.

Also exercised creative customization shops and corporate image design, where he acquainted with the various means of advertising companies and individuals.

Working with the public in a service imposed on him every day new challenges to overcome: work impossible, which ended up being possible, ways of doing different things, contact with suppliers of amazing ... Thus, exercising the design position and function of administrative, managed his personal crusade to take knowledge of all these new techniques that led him to direct his steps towards this area.

Not only wish that each one is distinguished by what is and what it does, but also to display it.

With this new concept of Art in the Digital Age, Michael seeks to prove to himself and those around them, what has helped each and every one of the moments and experiences that led him here, and that always accompany .

So I hope you enjoy this exhibition devoted to polysemy, pretending to engage them with visual puns, and even attract a smile. Maybe someone can get to answer: what is more important, the image or word ...?